If you read my last post, you saw that I have been working on a side dance project with Lindsay Fisher and Matt Pardo. Well, our show is NEXT WEEK, and I cannot explain my excitement!
I thought it’d be a great idea to get the word out, AND send two lucky winners to see the show FOR FREE, by posting a little something about the brains behind it all – LINDSAY FISHER !
At first glance, Lindsay is absolutely stunning – A (surprisingly) 37 year old, beaut!! BUT once you get to know Lindsay on a deeper/more personal level, her inside beauty just busts through her lean, muscular seams. She is the epitome of beauty from the inside, out!
I have had the privilege of working with Lindsay for the past 6 months. During this short time, she has shown her true colors and confidently exposed some of her deepest vulnerabilities. Not only has she been a dance mentor, as I travel down this strange road, but also a personal mentor. She’s taken the time to explain her values in the studio, as a daughter, and as a wife. She is freaking AWESOME, and I feel immensely lucky to have been chosen to assist in expressing her journey with an audience.
We have gotten together and decided to do a GIVEAWAY for two lucky dancers (or non-dancers) !!
One lucky winner will be given TWO free tickets (for themselves and a friend) to our show at the New Hazlett Theater on April 6th at 8pm!
All you have to do is follow these three EASY steps –
- Follow @montifresh and @datfitdancerchic on instagram!
- Post a dance (or non-dance) photo beautifully/confidently exposing a vulnerability or insecurity that you wish to embrace
- HASHTAG #OverExposed
Winners will be chosen THIS Saturday (April 1)
Here are some Lindsay Fisher insights – Explaining her life from a small child up until today. She so bravely expresses her honest and raw experience of dancing for the past 33 years.
Check her out and make sure to check out our show at the New Hazlett Theater on April 6th at 8pm! Click on link below for tickets!!
(Link to purchase tickets is also available at the bottom of the post!)
1. Start by telling us a little about yourself and your career. Where are you from? When did you start dancing? And what has your career been like up until this point?
I am from Butler, PA which is 40 miles north of Pittsburgh. I was 4 years old when my mom signed me up for dance lessons…I hated them. In truth, I hated them because they were on Saturday mornings, which was exactly when the best cartoons were on, and therefore, I hated going to my dance classes because I genuinely loved the Smurfs. Up to this point, my career has been fulfilling. I spent the bulk of my performing career in NYC dancing for a number of different companies. I would consider myself a freelance dancer since I really enjoyed doing multiple choreographers’ work. I joined the professional dance world at a time when the the good old days of the big companies were beginning to dwindle, and more dancers/choreographers were doing “pick up” work. But, I’ve been incredibly lucky to have danced with some incredible dancers and choreographers. I’v done everything from classical and contemporary ballet, to musical theatre and commercial work, to post-modern dance and performance art…I love it all! Luckily, my first dance teacher stressed the importance of being well rounded and versatile which has definitely paid off in continual work.
2. Tell us about “Over Exposed” – Where did the initial inspiration come from? How has your original idea morphed into what will be shown on the stage on April 6th?
Over Exposed started as a way for me unearth all of the crazy things that have made my life what it is. I don’t think I’m special, I just don’t think many people like to share some of their insecurities and failures. Originally, I had planned on creating an evening length work with three dancers: Matt Pardo, myself and the beautiful Montana Michniak. However, my plans took a drastic shift when my mother was diagnosed with Stage 4 Lung Cancer in December. Since both of my parents are currently battling cancer (my father continues chemotherapy and hormone therapy for prostate cancer) I knew I didn’t have the mental capacity to continue to create during this trying time. Luckily, my dancers are incredible human beings and willing to roll with the punches, so I changed the structure of my evening to include 5 works. I have restaged some duets as well as reworked some larger group pieces that include some of the dancers I work with at Slippery Rock University. The funny thing is, pretty much everything I make is directly related to my experiences, so the feeling of exposing my dirty laundry is still felt when the evening is finally put together.
3. Of all of the crazy stories that you have from throughout your years of dancing – Which story seems to still sit heaviest in your heart, today.
I could literally write a book of all of the crazy things that I’ve either done, or experienced. I mean, I lived with a 76 year old Irish nun in the East Village of Manhattan (with 3 other dancers…who were Swedish) simply because the rent was $300/month. But what sits heavy on my heart are the things that have shaped the way that I see myself. When I was younger, I had a teacher who made comments about my legs. In truth, I was a string bean and when I see photos of my 15 year old self, I can’t believe anyone would have commented on the size of my legs. But that stuck with me for over 3 decades. It’s funny how a nonchalant comment to a teenager can change the way she views herself and her worth. From that day on, I identified as the girl with the huge legs. I would make jokes about my over developed thighs every chance I got so that other people would know that I understood I had flaws. I became so comfortable identifying as overly muscular that I couldn’t see myself in any other way. In Over Exposed, there is some footage of me covered in plastic wrap. After I heard this comment about my legs I spent months wrapping my legs in plastic wrap thinking I could sweat them smaller. When I created this “nest” solo, I cried. I felt so deeply for that 15 year old girl. I hated that she went thought such self-hate when in reality, she was just fine as she was.
4. Do you have a Life Mantra that you like to live by? Is there a phrase that you constantly repeat in your mind, write down, or use to help you keep your head up through all the nonsense that dancers have to put up with?
My dad had this wonderful phrase that I found poignant: “Be careful of the toes you step on, on your way up the ladder…they just might be connected to the ass you’re kissing on your way back down.” My parents always raised my sister and I to be kind and helpful to everyone. I think that’s why “dancer intimidation” is strange. You know, when you go to a class or audition and someone is trying to intimidate you by stretching or executing some insane pirouette sequence? I genuinely think that a lot of that stems from insecurity. When I would go to auditions, I would warm up, but chat with the other dancers who seemed friendly. The way I saw it, we may be coworkers, or living on the road together; what would I gain from being an asshole to them? So I guess my mantra is, “Don’t be an asshole!” Sorry for the language, I’m not known for my ladylike vocabulary.
5. As far as the show is concerned- What are you most excited for and what are you most nervous about?
I’m excited to perform in Pittsburgh! I grew up here, but I’ve only performed here twice. This will be the first time I’ve presented my work here. I’m nervous to be vulnerable. I think dancers can be fairly critical ( I know I’m guilty of this, at times) and so I’m nervous that my work won’t be seen as valuable. But, I think anytime you put yourself out there, you’re bound to be nervous. The same could be said for dating.
6. As a professional that’s traveled the world, spent many years in NYC, and heard all the bullshit there is to hear (but still been able to come out beautifully on top) What is one piece of advice that you’d give to a dancer graduating from college and entering into the professional world?
Take advantage of all opportunities and don’t be afraid to network! I used to think networking was cheating. Then I realized that all of the other dancers who were “calling in a favor” were actually just freaking smart. I’ll give you an example: my senior year of college, Kevin McKenzie (Artistic Director of ABT) invited me to take company class whenever I was in NYC. Now, My naive self literally thought he was just being nice because I had worked with him and the ABT Studio company while in North Carolina. So, one day I finally got the courage to take class. There I am, feeling like an utter fool standing in a room full of dancers who intimidated the hell out of me. I felt out of my league and insecure. A smarter dancer would have come back to take class again….I never went back. I let my own insecurities get in my way. Could I have potentially been hired at ABT…hell no….but I’m sure the artistic director of one of the most elite ballet companies in the world might just have some pretty impressive connections. Don’t let insecurities or fear determine your future. Those opportunities don’t come along every day.
THERE SHE IS!! Ugh. #Beautiful !!
Hope to see y’all there !
Over n’ Out –